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Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Ren Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.
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Raffaella De Rosa is Associate Professor of Philosophy at Rutgers University, Newark. Her research interests are in early modern theories of cognition, mental representation and concept acquisition; as well as contemporary theories of mind and concepts.
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Raffaella DE ROSA | Cited by 479 | of Rutgers, The State University of New Jersey, NJ (Rutgers) | Read 22 publications | Contact Raffaella DE ROSA
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Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Ren Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.
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Raffaella De Rosa OUP Oxford , 2010 - Philosophy - 190 pages While much has been written on Descartes' theory of mind and ideas, no systematic study of his theory of sensory representation and misrepresentation is currently available in the literature.
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Raffaella De Rosa Rutgers University - Newark Categories. Add categories. Keywords. Add keywords. Reprint years. 2009. DOI. 10.1111/j.1468-0149.1995.tb02944.x. Links PhilArchive. Upload a copy of this work Papers currently archived: 84,765 External links. From the Publisher via CrossRef (no proxy)
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The third is that a sensation represents the apple because the apple is beneficial for our body. The fourth is that a sensation represents the apple by describing it. De Rosa criticizes the first three responses (Chs 2-4) and endorses a sophisticated version of this fourth response (Chs 5-6).
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Raffaella De Rosa, Descartes and the Puzzle of Sensory Representation, Oxford UP, 2010, 190 pp., $55.00 (hbk), ISBN 9780199570379. Reviewed by David Clemenson, University of St. Thomas (Minnesota) 2010.06.41
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Raffaella De Rosa - 2009 - Oxford, GB: Oxford University Press. The myth of cartesian qualia. Raffaella de Rosa - 2007 - Pacific Philosophical Quarterly 88 (2):181-207. Descartes on the cognitive structure of sensory experience. Alison Simmons - 2003 - Philosophy and Phenomenological Research 67 (3):549-579.
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Department of Philosophy, The School of Arts and Sciences, Rutgers, The State University of New Jersey
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I am Professor and Chair of Philosophy at Rutgers Newark, where I have taught since 2004. I received my Ph.D in Philosophy at Rutgers University in 2002 after being an Assistant Professor of.
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Raffaella De Rosa. An original interpretation of Cartesian sensations; The only available systematic overview, and critical assessment, of the current literature on this topic; Clear and engaging writing Also of Interest. Language and the Structure of Berkeley's World. Kenneth L. Pearce.
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Raffaella De Rosa Department of Philosophy Rutgers University Newark, NJ 07102 Phone number: 973-353-1857 Email: [email protected] Area of Specialization: Early Modern Philosophy Areas of Competence: Philosophy of Mind; Philosophy of Language; Cognitive Science; Continental Philosophy
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Raffaella De Rosa British Journal for the History of Philosophy 19 (4):605 - 622 ( 2011 ) Copy BIBTEX Abstract The old and recent debates on Cartesian essences have focused on the question of whether Descartes is a Platonist or a conceptualist about essences. I argue that this is a false dichotomy.
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Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Rene Descartes. About the Author Raffaella De Rosa is Associate Professor of Philosophy at Rutgers University.
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Raffaella de Rosa. Pacific Philosophical Quarterly 88 (2):181-207 (2007) Copy B IB T E X. Abstract The standard view of Cartesian sensations is that they present themselves as purely qualitative features of experience. Accordingly, Descartes view would be that in perceiving the color red, for example, we are merely experiencing the subjective.